Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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After Francisco de Goya
Queen of Etruria and her son Charles of Parma

ID: 92670

After Francisco de Goya Queen of Etruria and her son Charles of Parma
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After Francisco de Goya Queen of Etruria and her son Charles of Parma


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After Francisco de Goya

Francisco Jose de Goya y Lucientes (30 March 1746 - 16 April 1828) was a Spanish romantic painter and printmaker regarded both as the last of the Old Masters and the first of the moderns. Goya was a court painter to the Spanish Crown, and through his works was both a commentator on and chronicler of his era. The subversive and imaginative element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet, Picasso and Francis Bacon.   Related Paintings of After Francisco de Goya :. | Still life floral, all kinds of reality flowers oil painting 201 | Resurrection | The Island of San Michele, Looking toward Murano | European city landscape, street landsacpe, construction, frontstore, building and architecture. 322 | Caracalla and Geta (mk23) |
Related Artists:
Giovanni Battista Ortolano
Ferrara ca 1487-after 1524
Stanislaw Debicki
painted Pray in 1887
Calvaert, Denys
Flemish, 1540-1619 Flemish painter and draughtsman, active in Italy. In 1556-7 he was inscribed in the registers of the painters' corporation in Antwerp as a pupil of the landscape painter Kerstiaen van Queboorn (1515-78). Calvaert went to Bologna c. 1560, where he was to remain for the rest of his life. There he came under the protection of the influential Bolognini family and entered the workshop of Prospero Fontana the elder. After about two years he left Fontana to work with Lorenzo Sabatini, with whom he collaborated on several pictures, including the Holy Family with the Archangel St Michael (Bologna, S Giacomo Maggiore) and an Assumption (Bologna, Pin. N.). Calvaert's oeuvre is composed almost exclusively of religious works, ranging in size from vast altarpieces to small devotional pictures on copper. This sets him apart from other Netherlandish painters, notably those of the school of Prague, for whom Classical mythology was a constant source of inspiration. His first signed and dated work was Vigilance (1568; Bologna, Pin. N.); thereafter he developed a more original style, as in the Noli me tangere (Bologna, Pin. N.).






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